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Pianist Mike Garson was David Bowie's most frequent musician, on record and onstage throughout Bowie's life. They played over a thousand shows together between and , and Garson is featured on over 20 of Bowie's albums. Bowie's Piano Man is the first-ever biography of Mike Garson, written by Clifford Slapper, a fellow pianist who also played for Bowie, working closely with him on his last-ever television appearance.
The book explores the special relationship between Garson and Bowie, beginning with the extraordinary story of how Garson went overnight from playing in tiny jazz clubs to touring the world on arena rock tours with Bowie after one short phone call and audition. A noted master of jazz, classical, and other genres, Garson has composed thousands of original works and has taught countless students, acting as mentor to many. Bowie's Piano Man explores his roots and childhood in Brooklyn, his ongoing strong presence in the jazz world, and his collaborations with a huge range of other artists in addition to Bowie.
Touring and recording with the Smashing Pumpkins and Nine Inch Nails are given in-depth attention, as is his approach to teaching and creating music. Explored in detail in particular is his commitment to improvisation as a form of composition, a manifestation of his more general dedication to living in the moment and always moving forward — a trait he shared with Bowie.
Vince Guaraldi at the Piano. Derrick Bang. Larry Karp. At fifteen, Sanford Brunson Campbell — became enchanted with the new sounds of ragtime and ran away from his rural Kansas home, hopping a train to Sedalia, Missouri, determined to take piano lessons from a black musician he had never met. Based on his memoirs, musical compositions and correspondence with music industry notables, this first comprehensive biography of Campbell reveals an engaging storyteller and a devotee wholly dedicated to a musical genre that had been largely forgotten.
His firsthand account of life as an itinerant pianist in the Midwest provides a unique picture of life a century ago. Rudolf Serkin: A Life.
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Stephen Lehmann. This book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin's life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin's work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont.
A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.
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Nancy Reich. This absorbing and award-winning biography tells the story of the tragedies and triumphs of Clara Wieck Schumann — , a musician of remarkable achievements. At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time.
Early life and education
To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.
xn--cqvt9zr8bf5g51ggqd.com/includes/okmulgee/free-google-sketchup-download-for-mac.php The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.
Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann.
Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman. For this revised edition, Reich has added several photographs and updated the text to include recent discoveries.